Visit

Stills is a centre for photography based in the heart of Edinburgh’s Old Town. With over 40 years of history, we’ve got a lot of experience to share. Our exhibitions, production facilities and range of creative, educational opportunities allow anyone to discover, enjoy and understand photography.



STILLS: CENTRE FOR PHOTOGRAPHY
23 Cockburn Street
Edinburgh
Scotland EH1 1BP

GALLERY
Tuesday—Saturday, 12pm—5pm

PRODUCTION FACILITIES
Tuesday, 12pm—5pm
Wednesday, 12pm—9pm
Thursday, 12pm—9pm
Friday, 12pm—5pm
Saturday, 12pm—5pm

 

History

Stills was established in 1977. Since that time it has become a champion for the important and powerful role that the medium of photography plays in the world today. We are currently working to make our archive accessible for research, here are a few items that we’ve uncovered so far.

1976



Creative Camera was a monthly fine art and documentary photography magazine published between 1964—2001. This edition featured work from the “Recent American Still Photography” exhibition at The Fruitmarket Gallery in 1976. The exhibition was organised by the Scottish Photography Group, which went on to become Stills. Robert Adams, Lewis Baltz, Harry Callahan and Garry Winogrand were only a handful of amazing photographers included in the show.

 

1977



This exhibition book is from Angus McBean “A Darker Side of the Moon”, the first exhibition held at Stills in 1977 at our original location on the High Street. Angus McBean was a prolific theatrical photographer associated with the Surrealist movement. “The camera’s love of her face is entirely serious and magical, and the unreality of the composition – she rises like a goddess out of the earth, her perfection emphasised by classical sculptures on columns that recede over the sands towards a painted sky – is not just a joke. It is also a quasi-religious recognition that she is not, after all, like you and me but inhabits another, dreamlike world created by the adoring eyes of cinema-goers.” Jonathon Jones, The Guardian, June 2006

 

1978



In 1978, Paul Strand’s “The Hebridean Photographs” was exhibited at Stills. This body of work, created in the 1960’s, documents Hebridean life, from people, to labour, to home-life, to landscape. We have a copy of this exhibition book in Stills’ eclectic, public-access, photographic library. “It may be unusual in an exhibition […] to include a small and seemingly alien group of images. We have assumed however that Strand’s earlier work may be unfamiliar to many people and that some brief introduction may be of value. Despite the changes of style and interest apparent in Strand’s work over the years, there is also an underlying consistency, an adherence to a creed established early in his career” Richard Hough, Stills Director 1978.

 

1982



In 1982, Stills exhibited work by Man Ray, a famous Dada and surrealist artist. These objects display some behind the scenes happenings of how galleries operate; deciding where certain works are to be hung, and sending out press releases are still common practice today.

 

1987



Did you visit our Jo Spence exhibition in 2016? This flyer from our archive shows that Stills already understood the importance of Spence’s work, way back in 1987. The “Women in Photography” event organised by Stills lists Jo Spence as a speaker alongside Val Williams, Grace Robertson and Maggie Murray. Sadly Spence had to pull out due to ill health, a final draft of the flyer reveals she was replaced by Dr. Roberta McGrath, an Edinburgh based photography scholar and lecturer.

 

1988



This cassette is a recording of Paul Graham giving an artist talk in 1988 when Stills exhibited Graham’s Troubled Land series. In this recording he talks about his images and working practice as well as some practical tips and advice about making a living as a photographer.

 

1994



“A Stuggy Pren” was an exhibition in 1994 which coincided with the release of a collaborative book between photographer Katrina Lithgow and poet Ivor Cutler. Featuring fascinating portraits of Cutler, taken by Lithgow, this exhibition elaborated on the dynamic collaborative relationship between both artists.

 

Our Team

DIRECTOR
Ben Harman
ben.harman@stills.org


PROGRAMME MANAGER
Cheryl Connell
cheryl.connell@stills.org


CREATIVE LEARNING MANAGER
Claire Cochrane
claire.cochrane@stills.org


COMMUNICATIONS MANAGER
Sean Patrick Campbell
sean.campbell@stills.org


FINANCE CONTROLLER
James McKenzie
finance@stills.org


TECHNICAL ASSISTANT
Joseph Wilson
joseph.wilson@stills.org


PROJECT COORDINATOR (CREATIVE LEARNING)
Louise McLachlan
louise.mclachlan@stills.org


Board Members:

Lewis Blackwell (Chairperson)
Graham Berry
Janice Cutting
Moyra Diaz Limaco
Elaine Howie
Antonia Laurence-Allen
Antony Sojka
Donald Taylor
Diane Walters

TECHNICAL MANAGER
Evan Thomas
evan.thomas@stills.org


CREATIVE LEARNING MANAGER
Emma Black
emma.black@stills.org


RESEARCH ASSOCIATE & TUTOR
David Grinly
david.grinly@stills.org


TECHNICAL ASSISTANT
Zoe Hamill
zoe.hamill@stills.org


DEVELOPMENT MANAGER
Caitlin Serey
caitlin.serey@stills.org


GALLERY ADMIN
info@stills.org


Residents

As part of the Edinburgh Park arts strategy aimed at engaging a new generation of artists in Scotland, Parabola, the owners of the 43 acres of undeveloped land to south of the existing Edinburgh Park has announced that it has appointed photographer Andy Mather to undertake a year-long photography residency inspired by Edinburgh Park.

The residency will culminate in an exhibition at Mach 1, the iconic marketing suite designed by award-winning artist David Mach. The photography residency follows the recent announcement to commission Rachel Plummer to produce a poem in celebration of Mach1.

The focus of Parabola’s creative plan for Edinburgh Park is to create partnerships with leading cultural institutions in Edinburgh and to develop opportunities for emerging artists to make new work at Edinburgh Park. The photography residency is in partnership with Stills Gallery and the poetry commission was arranged in partnership with the Scottish Poetry Library. The commissions and residencies will be managed for Parabola by curator Matthew Jarratt.

Peter Millican OBE, founder and Chairman of Parabola said:
“As part of our arts strategy, Parabola is delighted to confirm that our first residency in photography will be undertaken by Andy Mather. Andy truly understood the brief and brings depth and understanding to portraying the unique space and our ambition for Edinburgh Park to be an inspirational place in the city.”

Commenting on the decision to appoint Andy Mather, Parabola’s Arts Consultant for Edinburgh Park,  Matthew Jarratt commented:
“We are thrilled to be working with Andy Mather as part of Parabola’s arts strategy. The commitment of Parabola to work with emerging artists is being realised with the commissioning of Rachel Plummer and now the award of the residency to Andy Mather. Parabola’s commitment to the arts and creating new work is ensuring that Edinburgh Park remains an exemplar of design and artistic output.”

Andy Mather, added:
“I am keen to capture the relationship of Edinburgh Park to the city centre, to use my inquisitive nature to explore and experiment how best to document not only how Edinburgh Park will become a cultural destination and creative campus but also the logistics and mechanisms that will support the mission to redefine living and working in Edinburgh. “

Policies

As a charitable organisation Stills is committed to and conforms to various policies.

Our policies are currently being reviewed and updated for completion by end of May 2022.
Key policies will be available for reference and pdf download shortly.

Green Arts Initiative

Here at Stills we believe in our responsibility to demonstrate best practice in the environmental sustainability of all our activities. In turn, we aim to inform and influence audiences, staff, stakeholders, suppliers and partners to adopt a responsible approach toward the impact of their operations on the environment.

We are proud to be part of Creative Carbon Scotland’s Green Arts Initiative! One of many projects: In 2019 Stills library transformed into an urban green space. Members of the public were invited to learn about native wildflowers in our exhibition and participatory workshops.

Read more about The GreenRoom here.

Scotland’s Workshops

Stills is part of Scotland’s Workshops – a network of 11 visual arts production facilities all across the country. The spaces give both artists and newcomers access to an amazing array of equipment, studio spaces and unique technical expertise to create and learn about art.

Nurturing the making of art that happens right across the land, the geographic reach of the network spans 6 local authorities in Scotland, from the Central Belt to Inverness and Lybster in the North. From sculpture to printmaking, photography and glassmaking, the 11 organisations that make up Scotland’s Workshops have a huge wealth of experience built up over decades since their creation began in the 1960s.

Read more about Scotland’s Workshops here.

Job Vacancies

Image: FUTUREPROOF 2021 Private View

Information & Events Assistant
6-month paid internship (Real Living Wage, £9.50 p/hr)
Full-time position
Open to recent Scottish graduates (Summer 2020 – Spring 2022) aged 29 or under

Stills is the only dedicated public venue for photography in Edinburgh. First established in 1977, we have now become champions for the important and powerful role that photography plays in the world. Our exhibitions, production facilities and range of creative, educational opportunities allow anyone to discover, enjoy and understand photography. Our unique approach, that embraces both tradition and innovation, makes Stills a key contributor to Edinburgh’s international visual arts sector.

The Information & Events Assistant will be a public-facing role which will include welcoming visitors to the gallery, assisting with the management of volunteers, overseeing front of house enquiries and supporting events that take place both on the Stills premises and at other venues in Edinburgh.

As a small team, we are also interested to hear about the interests of the post-holder, and are keen to offer them the opportunity to shadow departments or key areas of the organisation that they might find relevant for their own professional development (e.g. marketing, community engagement).

Main Responsibilities:

  • Welcoming visitors and overseeing customer enquiries as part of day-to-day front of house/reception duties.
  • Assisting with the set-up, supervision and deinstall of public events.
  • Assisting with the management of course bookings and the preparation and change-over of courses within the building.
  • Fielding enquiries from the general public, in person, via email, and via telephone.
  • Assisting with the management of volunteers (e.g. supporting 1-1 inductions).
  • Maintaining Stills’ customer database by inputting new data and updating records as required.
  • Greeting visitors to the building and providing them with further directions and information.
  • Attending weekly staff meetings.
  • Providing occasional administrative support for Stills’ staff.
  • Opportunity to assist with digital marketing and communications (e.g. social media).

Essential Skills:

  • Applicants must be a member of the GCAS Talent Pool to apply.
  • Strong interest in working in the art sector and visual arts/photography.
  • Ability to work independently and show initiative.
  • Good team working and communication skills with an interest in gaining experience through a public-facing role.
  • Strong organisational skills; including the ability to multi-task, set priorities, manage own time and workload.

Desirable Skills:

  • Relevant events experience (e.g. administration, sales, delivery of events).
  • Experience working in a gallery or arts organisation setting.
  • Experience using Mac and Izettle.

This is a paid internship in partnership with GCAS, and to apply you must apply to the GCAS Talent Pool – do so by using this link: Apply to GCAS. The Job Reference is GCAS 402

If you have any questions please contact info@stills.org