Visit
Stills is a centre for photography based in the heart of Edinburgh’s Old Town. With over 40 years of history, we’ve got a lot of experience to share. Our exhibitions, production facilities and range of creative, educational opportunities allow anyone to discover, enjoy and understand photography.
STILLS: CENTRE FOR PHOTOGRAPHY
23 Cockburn Street
Edinburgh
Scotland EH1 1BP
GALLERY
Tuesday—Saturday, 11am—5pm
PRODUCTION FACILITIES
Tuesday, 11am—5pm
Wednesday, 11am—9pm
Thursday, 11am—9pm
Friday, 11am—5pm
Saturday, 11am—5pm
Explore more and hear insights about Stills through our digital guide on Bloomberg Connects. The free arts and culture app takes you behind the scenes with exclusive audio, highlights from our archive, and more. You’ll also find must-read content to help you get the most out of Stills.
History
Stills was established in 1977. Since that time it has become a champion for the important and powerful role that the medium of photography plays in the world today. We are currently working to make our archive accessible for research, here are a few items that we’ve uncovered so far.
1976
Creative Camera was a monthly fine art and documentary photography magazine published between 1964—2001. This edition featured work from the “Recent American Still Photography” exhibition at The Fruitmarket Gallery in 1976. The exhibition was organised by the Scottish Photography Group, which went on to become Stills. Robert Adams, Lewis Baltz, Harry Callahan and Garry Winogrand were only a handful of amazing photographers included in the show.
1977
This exhibition book is from Angus McBean “A Darker Side of the Moon”, the first exhibition held at Stills in 1977 at our original location on the High Street. Angus McBean was a prolific theatrical photographer associated with the Surrealist movement. “The camera’s love of her face is entirely serious and magical, and the unreality of the composition – she rises like a goddess out of the earth, her perfection emphasised by classical sculptures on columns that recede over the sands towards a painted sky – is not just a joke. It is also a quasi-religious recognition that she is not, after all, like you and me but inhabits another, dreamlike world created by the adoring eyes of cinema-goers.” Jonathon Jones, The Guardian, June 2006
1978
In 1978, Paul Strand’s “The Hebridean Photographs” was exhibited at Stills. This body of work, created in the 1960’s, documents Hebridean life, from people, to labour, to home-life, to landscape. We have a copy of this exhibition book in Stills’ eclectic, public-access, photographic library. “It may be unusual in an exhibition […] to include a small and seemingly alien group of images. We have assumed however that Strand’s earlier work may be unfamiliar to many people and that some brief introduction may be of value. Despite the changes of style and interest apparent in Strand’s work over the years, there is also an underlying consistency, an adherence to a creed established early in his career” Richard Hough, Stills Director 1978.
1982
In 1982, Stills exhibited work by Man Ray, a famous Dada and surrealist artist. These objects display some behind the scenes happenings of how galleries operate; deciding where certain works are to be hung, and sending out press releases are still common practice today.
1987
Did you visit our Jo Spence exhibition in 2016? This flyer from our archive shows that Stills already understood the importance of Spence’s work, way back in 1987. The “Women in Photography” event organised by Stills lists Jo Spence as a speaker alongside Val Williams, Grace Robertson and Maggie Murray. Sadly Spence had to pull out due to ill health, a final draft of the flyer reveals she was replaced by Dr. Roberta McGrath, an Edinburgh based photography scholar and lecturer.
1988
This cassette is a recording of Paul Graham giving an artist talk in 1988 when Stills exhibited Graham’s Troubled Land series. In this recording he talks about his images and working practice as well as some practical tips and advice about making a living as a photographer.
1994
“A Stuggy Pren” was an exhibition in 1994 which coincided with the release of a collaborative book between photographer Katrina Lithgow and poet Ivor Cutler. Featuring fascinating portraits of Cutler, taken by Lithgow, this exhibition elaborated on the dynamic collaborative relationship between both artists.
Our Team
DIRECTOR
Vivienne Gamble
vivienne.gamble@stills.org
PROGRAMME MANAGER
Cheryl Connell
cheryl.connell@stills.org
CREATIVE LEARNING MANAGER
Claire Cochrane
claire.cochrane@stills.org
FINANCE CONTROLLER
James McKenzie
finance@stills.org
TECHNICIAN
Joseph Wilson
joseph.wilson@stills.org
MARKETING AND VISITOR COORDINATOR
Daisy Mason
daisy.mason@stills.org
GENERAL ENQUIRIES
info@stills.org
TECHNICAL MANAGER
Evan Thomas
evan.thomas@stills.org
DEVELOPMENT MANAGER
Caitlin Serey
caitlin.serey@stills.org
RESEARCH ASSOCIATE & TUTOR
David Grinly
david.grinly@stills.org
TECHNICIAN
Joseph Glover
joseph.glover@stills.org
LIBRARY COORDINATOR
Connie Leroux
connie.leroux@stills.org | library@stills.org
PROJECT COORDINATOR (CREATIVE LEARNING)
Louise McLachlan
louise.mclachlan@stills.org
PRODUCTION FACILITIES ENQUIRIES
resource@stills.org
Board Members:
Lewis Blackwell (Chairperson)
Rianna Andrews
Graham Berry
Sarah Brown
Mike Cookson
Elaine Howie
Antonia Laurence-Allen
Andrew McNiven
Christine Moorhouse
Sham Sandhu
Fiona Shields
Antony Sojka
Rose Younger
Residents
As part of the Edinburgh Park arts strategy aimed at engaging a new generation of artists in Scotland, Parabola, the owners of the 43 acres of undeveloped land to south of the existing Edinburgh Park has announced that it has appointed photographer Andy Mather to undertake a year-long photography residency inspired by Edinburgh Park.
The residency will culminate in an exhibition at Mach 1, the iconic marketing suite designed by award-winning artist David Mach. The photography residency follows the recent announcement to commission Rachel Plummer to produce a poem in celebration of Mach1.
The focus of Parabola’s creative plan for Edinburgh Park is to create partnerships with leading cultural institutions in Edinburgh and to develop opportunities for emerging artists to make new work at Edinburgh Park. The photography residency is in partnership with Stills Gallery and the poetry commission was arranged in partnership with the Scottish Poetry Library. The commissions and residencies will be managed for Parabola by curator Matthew Jarratt.
Peter Millican OBE, founder and Chairman of Parabola said:
“As part of our arts strategy, Parabola is delighted to confirm that our first residency in photography will be undertaken by Andy Mather. Andy truly understood the brief and brings depth and understanding to portraying the unique space and our ambition for Edinburgh Park to be an inspirational place in the city.”
Commenting on the decision to appoint Andy Mather, Parabola’s Arts Consultant for Edinburgh Park, Matthew Jarratt commented:
“We are thrilled to be working with Andy Mather as part of Parabola’s arts strategy. The commitment of Parabola to work with emerging artists is being realised with the commissioning of Rachel Plummer and now the award of the residency to Andy Mather. Parabola’s commitment to the arts and creating new work is ensuring that Edinburgh Park remains an exemplar of design and artistic output.”
Andy Mather, added:
“I am keen to capture the relationship of Edinburgh Park to the city centre, to use my inquisitive nature to explore and experiment how best to document not only how Edinburgh Park will become a cultural destination and creative campus but also the logistics and mechanisms that will support the mission to redefine living and working in Edinburgh. “
Policies
As a charitable organisation Stills is committed to and conforms to various policies.
View our Environmental Policy and Action Plan
View our Equality, Diversity & Inclusion Policy and Action Plan
Green Arts Initiative
Here at Stills we believe in our responsibility to demonstrate best practice in the environmental sustainability of all our activities. In turn, we aim to inform and influence audiences, staff, stakeholders, suppliers and partners to adopt a responsible approach toward the impact of their operations on the environment.
We are proud to be part of Creative Carbon Scotland’s Green Arts Initiative! One of many projects: In 2019 Stills library transformed into an urban green space. Members of the public were invited to learn about native wildflowers in our exhibition and participatory workshops.
Read more about The GreenRoom here.
Scotland’s Workshops
Stills is part of Scotland’s Workshops – a network of 11 visual arts production facilities all across the country. The spaces give both artists and newcomers access to an amazing array of equipment, studio spaces and unique technical expertise to create and learn about art.
Nurturing the making of art that happens right across the land, the geographic reach of the network spans 6 local authorities in Scotland, from the Central Belt to Inverness and Lybster in the North. From sculpture to printmaking, photography and glassmaking, the 11 organisations that make up Scotland’s Workshops have a huge wealth of experience built up over decades since their creation began in the 1960s.
Read more about Scotland’s Workshops here.
Communal darkroom 
Private darkroom 
Film Process 
Inkjet Printer 
Digital Suite
Job Vacancies
DEVELOPMENT MANAGER (MATERNITY COVER)
Salary: £25,600 per annum (FTE £32,000), fixed-term contract, 12 months
Hours: 4 days (28 hours) per week, exact working hours to be agreed on appointment (will include occasional evening and weekend work)
Application deadline: Wednesday 30 April 2025, 5pm
Interviews: week commencing Monday 5 May 2025
Within the Development Manager (Maternity Cover) role, you will make an essential
contribution to the development and sustainability of the organisation. This is an exciting time to join the Stills team, as we continue to develop our work and plan for Stills’ 50th anniversary in 2027.
You will also have the opportunity to bring your own skills to the role, supporting Stills’ financial sustainability and in-line with our vision and ethos. Within the Development Manager (Maternity Cover) role, you will work closely with the Director and be responsible for:
- Ensuring compliance with fundraising codes of ethics and practice.
- Generating income for Stills from a number of key fundraising sources including Trusts and Foundations, individual giving and corporate sponsorship.
- Identifying strategic opportunities for future fundraising and income generation.
Outline of key duties:
- Fundraising Management: to identify new fundraising opportunities and write funding proposals.
- Relationship Management: to ensure donors, supporters and partners are kept up-to- date and communicated with in a timely manner, while also ensuring they are credited appropriately across Stills’ marketing and communications.
- Fundraising Admin: to manage ongoing fundraising projects, keep track of timelines and lead on fundraising target management.
- Venue Hire: to respond to enquiries, manage agreements and oversee hires.
- Trusts & Foundations: to ensure new contracts are filed, relationships are managed, reports are completed in a timely manner and re-applications are submitted where appropriate.
- Individual Giving: to maintain and manage Stills’ Friends Scheme, Gift Aid forms and Patrons Scheme.
- Sponsorship: to arrange in-kind sponsorship activity with current sponsors where required.
- Photobooth: to manage partnership requests and respond to customer enquiries.
- Events: to assist with Stills public programme of events and work across the team to keep VIP mailing lists up-to-date.